Love & Ashes | Blood and Sun's American neofolk
Love & Ashes | Blood and Sun's American neofolk

Love & Ashes | Blood and Sun's American neofolk

Posted on 20 November, 2020




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Produced by

Bob Ferbrache, Luke Tromiczak





John Becker, Derrick Hans, Matt Knoedelseder, Angela McKjunkin, Michael MoynihanBodhran Erik ProftDrums (Snare) | Percussion Clay RubyHammer Dulcimer | Horn | Organ |Piano Luke TromiczakBass |Bell |Bouzouki |Chord Organ| Guitar | Hammer Dulcimer, Mountain Dulcimer, Erik Wivinus

In the neofolk musical movement, Love & Ashes shows some unique qualities that make it different from most of the other bands and artists commonly associated with this genre. Most of the neofolk outfits hail from Europe, while Blood and Sun hails from America. This is not to be meant only as a geographical alteration, because the style and themes confronted by European bands are deeply related to the old continental roots: ancient pagan religions (mostly related to the Norse pantheon) and in general historical, philosophical and mystic themes connected to Europe’s millenarian history and culture.

A medieval-country mood

In Love & Ashes, released in 2020, there’s the archetypal medieval mood of neofolk blended with dark-country songwriting specifically born and raised in the United States with artists like Johnny Cash and Townes Van Zandt. This is presented in This Hate In Me Will Pass, an obscure ballad based on a simple but moving guitar arpeggio enriched by the strings in the later section of the tune, which creates a fitting sonic background for singer Luke Tromiczak’s warm baritone timbre.

By What Road is a hypnotic mystic ballad that takes the listener on a strange trip of over eight minutes, through ancient forests and forgotten dawns, in a love story that’s lived through the past of the American country and that’s recalled in an honest and inspired way. Thus contributing to creating storytelling that’s not rhetorical as much as it’s melancholic:

But hell, I remember from years before
The same snow on different streets
As we gathered our things to leave
Drops of blood on the snow left by me
Sinking beneath fir trees.

Ancient harmonies and mythological figures

Resurrection Charm and Love and Ashes, instead present more conventional songwriting for the genre, with eccentric medieval harmonies and instruments and tribal martial drums to support the momentum and the pathos of the tunes. The latter presents lyrically a direct reference to Odin, the prominent Norse god, and one of the most important religious and mythological figures addressed by the genre and the core concept of the record:

On the day of sun and ashes, I was marked by Oðin’s knot
And when he asked, What are those signs?
Stranger, you know who I am
On this day of love and ashes
We dine with each other’s hearts in hand.

You can find the album Love & Ashes on Spotify.


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