Unbelievable | A story of injustice
Unbelievable belongs to that particular branch of TV shows of stories inspired by true events. They look entirely fictional when told through the screen but are much more sweetened than reality. Most recently, When They See Us was an excellent example of this process. Chernobyl, Unorthodox, and Narcos also fit the profile.
The real story dates back to 2008. Marie, a young teenager from Lynnwood, Washington, is tied up in her apartment and raped. In reporting the assault to the police, she surprisingly becomes the culprit, instead of the victim, and the police charge her for making it all up. Two years later, the Colorado police investigate a serial rapist who might just be the guy Marie had identified. In 2015, the collection of these events became a Pulitzer prize-winning investigation written by T. Christian Miller and Ken Armstrong for ProPublica and the Marshall Project, under the title An Unbelievable Story of Rape.
Fighting two enemies
Three years later, Netflix decided it was the best time to get a miniseries out of it, which premiered on the platform on September 13, 2019. The critics praised the show, which collected 4 Golden Globes and 4 Emmy Awards nominations. Unbelievable is similar to other procedural dramas like American Crime Story and Broadchurch, except for one crucial feature. It lacks melodrama. The focus is not so much on the reasons that made someone become evil – like Mindhunter – or the protagonist’s inner feelings – like DuVernay’s take on the Central Park Jogger Case. Instead, Unbelievable is a harrowing but blunt, sometimes plodding but never vapid cat and mouse story. In this case, the cats are two expert detectives – Grace Rasmussen (Toni Collette) and Karen Duvall (Merritt Wever). They have to fight against two different mice, the rapist and a predominantly sexist system of injustice.
A documentary style
The initial assault case turns into an investigation into Marie’s credibility, due to her confused account and the detectives’ deceptive approach. The pilot aims to show this tricky shift in detail. Close-ups of the protagonist (Kaitlyn Dever) pair with irregular flashbacks and desaturated lights, low-key acting, and no soundtrack. Grant, Chabon, and Waldman could have shown the rape as the one of Sansa Stark in Game of Thrones, violent, nasty, and over the top. They decided to instead focus on police interrogations – following a completely different style. Their documentary take is closer to other Netflix shows Making a Murderer or The Confession Tapes.
After settling a lawsuit against the city of Lynnwood for $150,000 and experiencing an increase in attention from the media, Marie is now a long-haul truck driver. She admits she wants to stay out of the spotlight and move on with her life. “I didn’t want to cower in the corner, I didn’t want it to ruin the rest of my life. I didn’t want to give him the satisfaction. I wasn’t going to let him destroy me.”